You say it is waste—and you have
a good case.
Your fire for life, for its wine
on your tongue—
you’ve had to shut it down. Push
it far beyond the
mines at your foundation to just keep breathing.
one – two
three – out —
—in—
To forget yet keep the card
catalog—that is the
torture that puts 40-watt light
in your eyes, pushes
your blood forward, keeps it
creeping toward your
heart and
out—
you know you can never go back.
All the beautiful plays left
unplayed—
bellowing risks simmered down
into
a quiet poultice to be clapped on
your
wounds at night—tiny battles of
five typed words won underwater
as the rest of the world sleeps,
weightless.
This art kills you, you think.
You think it’s killing you cell
by cell—
when you think about it—whenever
you see your vanished past leap
into the well backwards, on
rewind,
to play out its phantom
storylines.
And yet these shackles—
you believe it—breathing—
— in – one
two – out —
are something else—not wings, not
some false coffer of visible
wealth—
but roots, maybe, not just roots
that tear
down to the heart of the earth
unseen—
but roots, also, that crack the
pavement
breath by hair’s breadth,
planning to
overthrow a great wall, a great
mountain
one day—in a second—splitting
kingdoms
with wide boughs that stretch out
to
welcome in every rare living
thing
to come build its home.
Even if in miniature.
Even if in miniature.
Maybe—
breathing—all breathing—
in—out—
in—out—
in—out—
then this art will turn
that corner on which destruction
is revealed to have strange
design,
on which bitter pathways gnawed
by insect, fire, disease—will
turn
into a labyrinth—a waterway—a
motherboard of wonder—a home—
and this time you will live—
and breathe—
and move—
and have being—
—and you will
finally lose the argument
that death had its way
in this longest of
winters.
winters.

WOW.
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